Details

•May 16, 2012 • Leave a Comment

Writing isn’t coming easily right now, so it makes sense that I’d be drawn to make some photographs again. I begin to notice these subtle moments- and of course May Day was a perfect moment to capture some of them.

Dresses

What are these girls looking at? The girl in yellow pulls at her dress unconsciously, the girl in red looks mistrustful.

Red Dragon, Watching

The head of this dragon is in a separate world from everyone else in attendance, peers out, as if from behind the kitchen drapes.

Fierce Little Drummers

These girls are so focused, filled with some kind of internal light.

I have been SO REMISS.

•March 24, 2012 • Leave a Comment

I was supposed to have been working on editing pieces and submitting pieces to lit mags, THAT was the intention for this past winter. Instead I agreed to do a number of neat performances, serve on a grants panel, and run off to Denver for the Women of the World poetry slam. Of course, that’s great, if I’d take the time to write up about it here or anywhere to collect my resume and self-promote. Oh well. Soon.
On the upside, my spring is already trying to make up for lost time. I had an interview in the Daily Planet’s “Who is That?” series and had five pieces accepted into an anthology. I’ve submitted a number of pieces in the past week (which is sadly, more than I can say about my entire winter) and am looking forward to a number of grants and calls for work that are on my to do list. But first. Time to go for a run.

Quick Advice for Writing Poetry

•February 8, 2012 • Leave a Comment

1. You have so much promise, but you NEED TO FIX YOUR ARBITRARY LINE BREAKS. They undermine you. Line break at the end of phrases, places you’d put pauses (if you’re not reading like the stereotype of a beat poet). If you want to work some jarring line breaks in for effect, break your poem per the normal rules and THEN decide which lines you want to be jarring. If you decide you want all of the lines to be jarring, at least be intentional about it. Not that it’ll help much.

2. Punctuation and poetry aren’t enemies. Your work reads like one enormous run-on sentence, or a car with no brakes. Exert control! High speeds feel higher if you start out slow, or if you stop. Punctuation marks are the stage directions to your poem. They needn’t be extravagant, but marking the end of a scene is helpful for the actors, the director, and the audience.

3. Repetition is like a knife! Used properly, it will cut the breath out of your reader. Too frequently or improperly, and IT GETS DULL. If you enjoy playing with repetition, underline the word when you go to edit your poem, and then rate the importance of its use in each of those places, 1-10. If you use the same word more than 10 times, you’re REALLY in trouble. Cut at least half of your use of the word- play with synonyms, allusions, or even rhymes. The remaining uses of the word will be more poignant.

4. Plot your poem! If you return to the same scene over and over without exposing the audience to something new, they will get impatient with you. This goes for poems without characters or “plot”, too. If your poem is a still-life photograph of a garden, and you keep returning to a garden gnome in the one corner, each time you return to describe the garden gnome, the description of the gnome should change or deepen our understanding of the gnome.

(more advice when I’ve had more sleep)

Recovery and Loss

•October 1, 2011 • Leave a Comment

This week I remembered that I had a lens for my dSLR that I haven’t used in over a year, and it suddenly occurred to me that I had it, and exactly where it was. When I first got the dSLR, it’d been the lens I’d used almost exclusively, but when I switched it into the camera body, I couldn’t remember for the life of me why I’d liked it.

Until I remembered I could switch it to a really tight focal length, and I loves me a tight focal length. I shot at Cali’s dress-up birthday party last weekend, and the next day whilst hanging out with Ruth F. Kohtz, and then somehow managed to break the lens in half while focusing last night. My supersmart roomie says the lens is not repairable by human efforts, but the internet says that the lens can be purchased for a little over a hundred dollars pretty easily. Not the most fun, but not the biggest tragedy, either.

Colorful Cali

Handsome Aaron

Intense Rachel

My favorite robot

Ruth F. Kohtz

Ward

Bikes outside the spyhouse

End of Summer

•September 17, 2011 • Leave a Comment

Here in the midst of my first autumnal cold, I am saying goodbye to summer and knuckling down for a lot of writing work for the fall and winter.

Goodbye summer dresses
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Goodbye sitting on the front steps
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Goodbye rooftop drinks
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Goodbye hot nights
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Goodbye dewy mornings
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Minnesota doesn’t mess around with temperatures in between 60° and 90°- we went straight from tanktops to scarves. I don’t really have time to complain though, between the show I have to get my energy up for tonight, Literary Death Match, and Twin Cities Speakeasy, as well as hosting Punch Out Poetry and maybe finding a new, Minneapolis home for it. I’m still working on the novel, the tea poems, and now am also working with a local musician/composer to build a libretto. I’ve never really collaborated on a piece with music, so I’m nervous and excited. Cbot and I have antics planned well into this mess called autumn, too.

I feel like I did a good job at having a great summer, but the weather’s turned her back on us, and doesn’t seem to be coming back.
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Gears, Moving

•July 26, 2011 • Leave a Comment

Things are good, writing-wise and otherwise. I’m learning some things about being a fiction writer.

Rule #1 of being a fiction writer: Don’t talk about being a fiction writer.
Okay, that might be overstating it a little, but I am encountering something that I’d never encountered when I was working on poetry. When I talked to folks in the past, about challenges or obstacles I was encountering as a poetry writer, people listened and were encouraging, but didn’t say much about it. Now, I need to be careful not to say there are ANY challenges- I have had four, lovely, well meaning, amazing friends try to “fix” my novel for me. For whatever reason, poetry was too intimidating, or fiction is too glamourous, but really unsolicited advice seems to have a magnetic attraction to novel-writing. I know some of it is friends wanting to be helpful, but it ends up feeling like having someone try to write your book for you. Ultimately, I’ve learned my lesson. If you don’t want advice, then you must never reveal that there are any flaws in your fiction-writing. (Dear friends who have super-kindly offered advice, I probably could have said something to you at the time rather than being all passive agressive like this, don’t sweat it, it’s not a big deal, I’m learning what it is that I want.) If you only say positive, victorious things about your fiction writing, people will generally only say “I’m excited to read it!” Which, if you are me, is exactly what you want.

Rule #2: Your best characters may well disgust you. That is not to say they’re unlikeable- they just might be people you’d personally despise, people who would get under your skin, people who remind you about the things you hate about yourself. Years ago, I wrote a fictional character in a blog that served as the whole of her existence; we interacted, and because I was her author, she knew all about me, and could push my buttons better than any real human being- without giving her a world she could interact with and change, I made her interact and change me- a weird sort of self-outside-the-self that created some of my best writing, and made me feel like an utter nut. At any rate, take your biggest flaws and turn them up a few decibels, take the things you dislike about yourself, and make them vibrant and powerful, and you’ll have amazing characters who are hyperreal and will drive you batty. They are not obstacles or problems- they ARE the story.

Rule #3: Your mood will change your writing. What you’re reading will change your writing. The time of day you write during, say it with me now, will change your writing. What you’ve eaten? What you’re watching? Where you sleep, who you sleep with, what you did at work today, all of these things: Life will change your writing. Accept it. Ride that wave. You can make edits later. You may find you have to rewrite entire scenes or chapters or everything, but you will have discovered what you were looking for along the way. The chapter that turned out dark because of the thunderstorm, the jittery dialogue caused by drinking too much coffee, don’t fight it, ride it.

Rule #4: Commit to doing something new. This is my personal rule for me. I’m not certain how successful I will be at achieving it- but I am confident that I can tell an old story a new way, or take an old form and stuff something unexpected into it. It’ll come. I’m not without influences of course, but the idea is to be conscious of what my influences are, and how I’m using them.

So, down to what am I up to, writing-wise: I’m working on a novel, set in Minneapolis- the idea is to make it obvious, the stuff that I’m making up entirely, the stuff that’s based on something, the stuff that’s an amalgamation of the two. Well, yes this place is quite definitely the Bryant Lake Bowl, but this Bryant Lake Bowl is one where you could fit a grand piano in the wings of the theatre, which isn’t the case in real life.* That sort of thing. There’s a lot going on, and the story isn’t really started-started, but as I was falling asleep last night, I figured a lot of things out, and managed to actually remember them upon waking. At lunch today, I sketched out what the scenes needed to be to get me through the next chunks of writing, so I’ve got a lot of actual writing work to do. It’s good, if I can keep myself on course to get the writing done.

*for the purposes of legality- the places and people in the book are entirely fictional, obviously- none of the things I’m writing about have actually taken place, none of the people are real people, etc. etc. etc. But hopefully the book will end up giving folks the strong sense of being in Minneapolis.

Non-writing, things are going well, too. Busy at work, busy after work, things are going swimmingly with the boy, I don’t have any more writing/performing dates for the next two months, so hopefully I can get a lot of creative work done. Rob Callahan has challenged me to Literary Death Match in October, which is pretty exciting; it is the right combination of professional and ridiculous. I’m working on fixing up a new-to-me old bike, I am enjoying the lakes and the summer, board games and Misfits, my tomato plants are enjoying the alternating heat and downpours.

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Again, I’ve been remiss.

•June 21, 2011 • Leave a Comment

But I haven’t been unoccupied.

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Beyond getting back on the caffeine habit, knitting a citrusy bright baby blanket, and attending Charlie’s band’s show, I’ve been quite busy. If you know me, you know this is not new.

Impending summer and having succeeded in dialing back my slam involvement and social presence at… everything… has helped me to feel less overwhelmed and at odds with the world, more like being involved in everything. Or maybe just reasonable amounts of the things that I want to be involved with. A few well-defined writing projects that I’m working on and excited about.

I’m working on poems for Cheap Theatre’s “With and Without” show, each of which is about being without something- and uses none of the letter of the alphabet that I most associate with that missing thing. It’s been challenging enough for me to completely ignore the “who’s my audience” question, and the pieces that have come out of it are really nice. It’s interesting to try to write poems about being “without” and give them different tones- not variations around the theme of emptiness or need or want.

I’m also helping MN0 kids work on a project that has a handful of fictional characters worked into it. Group projects are exciting and frustrating, equal parts. I keep coming up with interesting storylines and then having to amend or discard them… I should keep track of them for future use.

I also took some time to work with Heather AKA Heather, on writing some new and really gutsy poems. I occasionally feel like I have some insight in what has become rote, and how it can be turned fresh and clever- I’m hoping that aiming Heather’s talents at something she doesn’t usually do will both extend her range and change the status quo. If she doesn’t come through, I’m going to have to try to learn from her strengths and try to do it myself.

New Helmet

I got a helmet this weekend, after taking a pretty great flight over my handlebars and directly into Loring Park- between that and knowing that being cavalier about biking when I have a coworker who was disabled in a biking accident, it seemed just sort of inappropriate to keep going bareheaded. We’ll see if it drives me crazy or is okay- I got a cute green one that is more of a skater style.

Tomorrow I’m going to Connecticut for work… I’ve never been there before and have no idea what it’s like.

Laters!
Cole

 
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