Two writers spin original science fiction, and one musician underscores the readings with complementary auditory landscapes.
A live reading series featuring new science fiction from Cole and special guest writers, underscored with futurist soundscapes by accomplished musicians. Two writers spin original science fiction, and one musician underscores the readings with complementary auditory landscapes. We focus on Science Fiction because we need to be thinking of the future as a society, for a multitude of reasons: we need to be seeing and talking about ourselves and each other in new ways- seeing people of color, women, queer folks, and immigrants in the future- showing folks in positions of power, showing different ways of leading, etc. Society also needs to think about the effects of continuing to mistreat the planet, humans, plants, and animals; but also to envision new ways of doing things (or imagining old ways of doing things in the future).
September 10, 2026 featuring:
Marissa Lingen is a freelance writer who lives in the Minneapolis suburbs with her family. She is the author of over three hundred works of short science fiction and fantasy and has no intention of stopping any time soon. She has many opinions on Moomintrolls. She has been known to cross international borders in search of rare tisanes. Her personal relationships with bodies of water are intense though eccentric. Her interests include community connection in SFF, particularly including people of all ages and abilities in portrayals of worlds that illuminate our own changing climate needs. She also likes to make nerds laugh. Her debut novella, A Dubious Clamor, comes out September 15 from Horned Lark Press.
Martin Law is a Minneapolis-based musician and scholar. Over the past three decades he has contributed sounds to a variety of projects for film, radio, podcasts, art installations, live performances, psychoacoustic research, and for an esteemed local SciFi Reading Hour. Martin owes his academic career to Yanni (yes, THAT Yanni), to Jodi, and to accidentally insulting his boss’s taste in music that one time— an incident which can be recounted only in the form of a shaggy dog story. He has taught courses on speech, rhetoric, ethics, and cultural studies at colleges and universities across the country. His current scholarship on Blackness and disability highlights the power of fugitive speech to rescue radical futures.


